One of the most frustrating parts of watching Gossip Girl growing up was witnessing the elaborate breakfast spreads that the families had each morning, only for the main characters to grab a piece of toast and run away with anguish. When we think about fiction, food isn’t always central to how a story is told. But what happens when it is?
My guest this week is Margaux Vialleron, a French-born and Glasgow-based interdisciplinary writer and cook. She is the author of two novels: Breaststrokes (May 2024) and The Yellow Kitchen (July 2022). Her story, Fernanda’s Fish Soup, was runner-up in the 2022 Harper’s Bazaar short story competition. She also writes The Onion Papers, a hybrid newsletter about storytelling in the kitchen. Margaux’s work explores the landscapes of remembrance, the links between inner spaces and wild outer spaces, and food and seasonality as communal experiences.
In today’s episode, Margaux unpacks the power of food as a storytelling device in fiction, the consequences of character development relating to appetite and economics, and the power of the kitchen in writing and real life. Margaux is a beautiful writer, and I know a lot of the warmth in her work comes from the time she dedicates to food and eating in her character development, so it is a special treat to hear her perspectives on incorporating this into fictional worlds.
Learn More About Margaux:
Website: https://margauxvialleron.com/
The Onion Papers Newsletter: https://theonionpapers.substack.com/
Instagram: @margauxvlln